Lessons From A Kid

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When I was 40 I took some drawing lessons from a young lady of 20. I'd been drawing all my life at the time. Had 20 years of drawing under my belt before she was even born and had some great art teachers in art school. Had an article written about me in an art magazine just before taking lessons from this girl. A close friend, also an artist, asked me what I thought I could learn from this kid, he said he'd be embarrassed if people found out he was taking lessons from a kid.  I learned a lot from this young lady which improved my drawings. I expanded on the new ideas and found, overall, my art improved. I have been told you never stop learning and knowledge can come from anywhere.

Over the years I've seen a number of artists close their minds because of where the knowledge comes from. At one of our critique sessions one artist got upset because a 20 year old gave him advice on his painting. Had he taken her advice he would have had a masterpiece. He feels he was right because the piece sold without any changes. He still won't take advice and still doesn't understand how important design and composition are to a work of art. I cannot get through to him the importance of design.

Over the years, 13 to be exact, I learned a lot from those who came to our critique. My friend George is a master of design and composition. Many artists missed a chance to learn from this master. Over the 20+ years I've known George I've learned a lot. Yes George I am listening. 

 

Presentation is Everything

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The other day I saw an online post of a group of paintings that raised several questions. The first was why was this gallery posting this picture of this group of paintings on Facebook? The paintings were all plein air paintings of the Fox Valley where I live. The paintings were dull, lifeless scenes of places I know well. Places full of life. Places locals are proud of, places where locals have put work into showing their love for their hometown. 

The gallery said, "they're all plein air paintings and are all of local scenes." That brings me to my second question - Is " en Plein Air " enough of a reason to qualify an artist worthy of being in a gallery? These works lack any sort of design or composition. The drawing was off and they look like they were done from poor photos. So why had this gallery taken this artist on? Because he wasn't local. Seems the gallery had been stung several times by local artists using them for showing their art, then pulling pieces out to sell direct to a client, cutting out the gallery's commission. So they took this artist on from across the country who was passing through on a plein air painting trip. Just passing through - he has no real sense of our valley or of us. So his paintings are simple paintings with no real feelings. 

Not all plein air artists miss the real sense of place. Most good ones take the time to get to know a place, to know the people, to see the pride in what they are painting. Artists travel to paint and learn, and those that do produce some amazing paintings.