Respect & Dignity

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Many years ago a portrait changed my thinking about art. It was of a woman and looked to have been done in the late 20s, early 30s. An intelligence radiated from the painting. I wanted to know the woman in this painting, not for her beauty but because there was a dignity and intellect about her coming from that painting. I was sure I could learn things from her. What? I do not know. I was so taken by the portrait I didn't check out who created this work of art, I was just lost with who she was.

Paintings up till then were simply pretty, beautiful works of art. If I could paint a pretty picture of a pretty girl I was happy. That portrait made me rethink what art is, and what I wanted from it. My working with models changed too and I also began to think about what others were seeking from their own art. 

Respect and dignity are two ideas that are present during every session when working with a model. Models are giving of themselves to the works of art they are involved with. Some artists feel they are the soul creators of a work of art, but for me the model contributes a great deal beyond their physical presence. I can sense their respect for what we are doing. That respect enhances the work and I need to feel that respect flowing both ways. Presenting them in a dignified way is important to them and to me. I carry these ideas into all my work. Like making a still-life mine by adding personal items or setting up potted plants in my window, something I grew up with at home. The buyer also becomes important, my respect for my client comes through via the quality of my materials and my work itself. Doing a piece they can be proud of is very important to me. Originality and the unusual come into play here. I want and need to give my clients original works of quality. 



From the Easel to the Storage Rack...

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Working through a painting I hit all those stages we all know: Good idea, great start! Maybe not a good idea… Stop wasting time on this one. Maybe not as bad as I thought! Hey, this one turned out good! Then it comes back from a gallery, or a competition or it doesn't even make it into a competition or juried exhibition. The painting racks are full of such pieces. And then some that went straight from the easel to the storage rack... 

There comes the gamut of emotions when creating art. I insist to myself that I paint strictly for myself, but even there I have my doubts. Being in my profession I show up everyday and put my hours in. Some hours are filled with real spiritual rewards, others come closer to torture. Struggling with colors or getting paint to leave the brush just right can be grueling. It is the image in my head that causes all these emotions. I forget what it takes to get the image I see in my head to a finished painting. Once I understand the struggle ahead of me though, it vanishes and there is nothing but the joy of the process. At times I have to stop and talk to myself. I am teacher and student at such moments. Other voices aid me with some creations.

I've had three great teachers over my career. I would love to discuss this struggle with other artists.