The Moon On Those June Nights

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Leaving my Uncle Melvin's farm after a day of wading in his creek, came the long drive home. Squeezed between my sister Pat and my brother Francis in our old Lasalle. Cathy on mom's lap in the front seat and my brother Micheal riding shotgun, Dad drove slow to enjoy the countryside.  The silhouette of distant trees speeding by against the deep indigo sky set my imagination afire. Flickering tiny lights of fireflies just above the alfalfa fields and a pale yellow moon rising between the oak trees excited me. 

Dreams were planted on those rides home. The Sunday night bath erased the smell of chickens and goats but the dreams were mine to lull me to sleep. Dreams of being a farmer with horses and cows and a hayloft so big and sweet smelling, a playground for my friends. Prayers included blessings for mom and dad and my brothers and sisters. In Sunday night prayers I added all the animals I'd named too. The scene that led me to my dreams under the moon on those June nights was a promise I'd explore those distant woods I’d seen someday. But come Monday morning it was chores - watering the garden, pick up Major's poop (he was our dog, who in my dreams could climb the ladder up to the hayloft) and so much more. Night dreams turned to day dreams and in them Major was kind to the mice in the loft and was friends to the little brown owl who lived in the high peaks. Barn swallows chattered away as I watched over my cows grazing on the hillside. Millions of yellow butterflies lined the banks of the blue creek I would cool off in after milking my cows and riding my horse around my farm. Sleep, or mom telling me, “enough with the water,” ended these dreams of my youth.  

Even Chaos Has A Flow

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Placement of a brush stroke or a color can change how one sees a painting. Like placement of a comma can change the entire meaning of a sentence. A stream flowing through a painting can come to a halt when the pure white water meets a black rock jutting into the center of the painting.  Painting is a mix of ideas; ideas of both passions and different teachings of the requirements for making art. The artist has to decide where they want to place their emphasis. A perfectly executed painting can fall short if the artist has no defining message to give the viewer, and even then a wrong stroke can kill that message. The viewer can be misled by an out of place bit of color.  The peacefulness is lost when that out of place color presents a question and draws the viewers mind away from the intended message. Chaos is becoming a concept in art these days, but even chaos has a flow or a non-flow. 

Each artist selects a set of guidelines to build a concept with. A realist will use different guidelines than an impressionist painter will. Yet they can wind up with paintings that look very similar. How much the impressionist wants his painting to carry a likeness of his subject will determine how much of an impressionist they are. There are guidelines for every artist. Where to place your center of interest? How to balance a composition? How to design the reading of a painting? These guidelines are what makes art interesting. Subjects attract a viewer, but composition and design are what makes a viewer want to live with a painting.