Kite Hill & The Meaning of Tomorrow

Going with my Granddad to trim away the weeds from Grandma's headstone was one of the small summer things I did. Pulling the weeds and gathering a few dandelions to place in a jelly glass for my Grandma, then saying a prayer with Granddad. In silence, he drove me to Brown’s Store, where he would treat me to a grape soda and maybe a 10-cent kite and ball-of-string.

I had other chores to do when I got home and mom, seeing the kite, would tell me tomorrow would be a good day for flying kites… today, though, was a good day for folding clothes. Tomorrow was a few days away sometimes... Kite Hill was a bit far from home for my little legs she would say. They were certainly big enough to go to the store and get coffee for Mrs. Martin, and big enough to carry water to our garden a block away.

When “tomorrow” arrived, with other kids about, I assembled my kite with an old tie from my dad's closet for a tail. One by one we worked our way up the hill and waited for a breeze. An older kid always set off first. If he or she was successful the rest of us would hold our kites high and start the run down the hill. Wildflowers underfoot and flying grasshoppers jumping out of the way and bees causing us kids to speed up. Soon, a half dozen kites were airborne.

Red, blue, and pink kites made us proud. Who would get theirs the highest. Seeing the clouds drifting by and the blue sky was a proud sight when one's kite became a part of it. A full ball of string out, the older kids could get their kites to do tricks. Figure eights, breathtaking dives, and kissing another's kite were skills that came with practice. Some kites refused to come down peacefully and mine always seemed to take a nosedive into the ground and needed tender care to fly again... Granddad's car coming down the road signaled the end for the day. Mom would send him out to bring me home for dinner. Keeping track of time was not one of my talents.

The Foundation of Art

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Drawing has been the foundation which I build my art upon. Whether a landscape or a figure, it is the drawing I construct from. Understanding the human figure has brought me a level of confidence that carries me through all subjects. Cows in a field and horses in barns are enjoyable challenges, thanks to years of drawing the human figure. Experimenting with different styles of drawing keeps things fresh and keeps my mind sharp. Hours at different workshops and meeting & seeing other artists has opened my eyes to different ways of seeing subjects.

Summer mornings sketching people relaxing, fishing, throwing frisbees about, and stopping at worksites to sketch men standing about waiting for the boss to give them direction. Drawing from life is great skill-building and you see how people live. Lovers, old and young, sharing lunch under the oak trees and pretty girls pulling up skirts to deepen their tans while reading a romance novel.

Fifty years of drawing people in parks and at open workshops has brought me an interesting life. Many times people want to see what I am doing, and let me know things about themselves. Drawing cornstalks, a gentleman from Italy told me about the herbs he was growing in his garden plot. Spending the summer visiting his daughter and grandchildren, he could not find the herbs he needed for cooking, so his son-in-law arranged for a public garden plot. As he told me about life in Italy I sketched him. And while sketching people, I got to know people.