Treasure Boxes

Broken pocket knives and watches, Indian beads from Boy Scout camp, a penny flattened by a steam locomotive, army medals, and a spent shotgun shell are a few of the things I valued as a kid. A rock fossil of a fern uncle John found had a place in my treasure box. Each of these treasures in my little box held a story. The penny dad gave each of us kids, was the penny I put on the railroad track at the train station to see it flattened. We were there to see the last of the steam locomotives.

Grandpa Sachin's pipe is one of the treasures I take from my dresser drawer every so often. He lives alongside the boy I used to be. My box is gone now, along with most of my treasures.

A few treasures that I still use, remind me of the lost one from my boyhood. Putting on Grandpa Sachin's tie clip takes me across town to his house on Palace Street, a brick bungalow where Grandpa Sachin lived with my Aunt Kathryn. I still see him at the green door with his pipe, smoke drifting out through the screen. Slim, very tall and always in a white dress shirt with reddish brown suspenders, his Sunday best. Putting his tie clip on, those Sunday visits are brought to mind. Behaving was the order of the day. Mom planted us younger kids on the sofa in the basement while the grown ups talked upstairs. Grandpa came down to grind his coffee beans and see how we were doing. The sound of him grinding coffee beans and seeing him at the basement stove is there in his tie clip. He liked his coffee strong, and brewed in an old dented coffee pot. Even now, holding that tie clip and his pocket watch I can see the smoke rising from his pipe as he stood in the basement grinding coffee beans, always brewing it himself.

He laughed and said Nelly's apples were better, they were from the tree in the yard. Wax apples were for show only. Your aunt Kay doesn't like teeth marks in her apples. He laughed again taking his pot of hot coffee up the steps with steam coming from the spout of that old pot. I could hear my parents as they sat around the kitchen table talking about things kids did not need to know. My aunt asking him, “Why can't you use the new coffee pot?” The sofa in his basement was where we sat every visit to keep us out of trouble and away from the wax fruit. Nelly was the horse who pulled the ice wagon he used to deliver people their ice with. Retired now, Grandpa would take Nelly an apple or two out to the farm where she spent her retirement days under the oak trees.

Grandpa Sachin's basement was very neat and clean. The walls and floor were painted grey. The floor was waxed and polished. In addition to the sofa, there was a round oak table with four chairs, a gas stove and a small workbench. His tools were neatly hanging on the wall over the workbench. His basement was nothing like our basement. Ours was full of dust and spiders. It was where Mom did the washing and Dad stripped the old varnish off woodwork. Us kids played hide the button there and spun around in dad's chair by pulling on the rope we tied to a post . Dad fixed our bikes and repaired car tires there. It's where I made western towns from the wooden orange crates I got from the back of the Kruger’s store.

When he visited us, Grandpa Sachin liked to sit on our front porch where he could smoke his pipe and get the latest news from passing strangers. He visited with our neighbors and talked about change. While mom was busy cooking dinner, I'd get to take a puff from his pipe as he told stories about ice coming from Minnesota and being stored in the old ice house. People kept their icebox on their back porches so the ice lasted longer. The melting ice dripped into a pan under the icebox and was used to water the window plants. He told me about his life as a kid in Luxembourg, and coming to America.

I reach for those stories he told me when I need something to paint. My new treasure box is now those memories and stories I have collected in my mind over the years. Holding Grandpa Sachin's pipe inspires me to sketch a horse, or a man peeling an apple behind his garage. I tell his stories with my paintings to those who wish to recall their own grandfathers and childhoods.

Murder Mysteries with Henry

“Murder in the mist, a young jogger lay motionless on a foot bridge…” Elisabeth George captured my imagination with her opening description of the peaceful scene interrupted by murder. Pat, the gallery owner, did not want me to tell the inspiration for a painting of mine to the gathered audiences. She had turned the gallery into a restaurant setting for the opening of my exhibition, and between each course I was to talk about the coming to life of each painting. It was the pictures formed in my head while reading that had inspired it. These pictures have always been a part of reading.

Before the last page of this mystery that inspired a painting, Henry, my painting buddy, and I were out hunting for the elements that were going to make up this painting. The right foot bridge and church steeple, lilacs and the right creek were all needed. While Henry sniffed out trees worth including, I checked out foot bridges. Across the river, I saw my one foot bridge that looked pretty good. Henry was still marking trees as I sketched the scene with St. Nick’s church steeple in the background. Rough sketches, capturing part of the image from my murder mystery scene, took on the image in my head. I let Henry lead me on down the bike trail to view the bridge from another angel. Something about holding a sketchbook and pencil that invites people to stop and ask questions. A bicyclist or two will even slow to comment on my sketching.

Nine miles up the river may be a better foot bridge so its back to the car, a drink for Henry, and some touching up of the church steeple before leaving our first stop. Stopping at McDonalds, we get a burger to split. Not sure what Henry says at the pick-up window but he gets two Milk Bones. I explain to Henry I need a better church steeple, he eagerly agrees as he looks for crumbs and more of the burger. Head out the window, tongue flapping, he lets everyone in Batavia know he's the boss, and we mean business passing by.

More trees to mark and new friends to meet, he jumps over me to be the first out as I pull into Fabyan Park. Alerting all squirrels we're here, he marks his first tree and checks back with me to see which direction we're going. We are quite the team. The painting builds in my head as we walk the bike path to the first foot bridge. A bench to rest and sketch for me, joggers for Henry to annoy. A better creek accompanies this bridge, but the first bridge is looking better for the painting. I'll come back with paints to capture the creek. The murder scene in growing in my head and in my sketchbook. Like a puzzle, I gather and fit the pieces together.

Back in the studio Henry drinks a bit of water, looks for a treat, and sees if I'm heading for the easel. His morning nap is best under my easel, to keep an eye on me. Grabbing my camera brings him to attention. It's back out to get pictures of church steeples and the footbridge behind the iron works. Henry gives me Hell from the car window for leaving him in there as I make my way to the bridge that will be the one in my painting. I snap a few photos and walk back to a dissatisfied Henry. Lilacs will break up the greens I envision and that yellow bush in front of that house on Spring Street will add to it. Back at the studio again, Henry is ready for a bit longer nap and a break from my constant questions. With the London Boys Choir singing and Henry under the easel, I work on composition and design for my murder scene. Days of on the spot painting and trips to the camera stores, it takes a while for me to complete a painting. Never been able to complete a painting in less than a day or two, and some take a month. And those conversations with Henry sometimes lead me to my next painting…