A Painting as a Byproduct

Henry, my painting buddy, is always ready for a day in the country studying the colors of summer. He is always satisfied with my choice of subjects, whether it be an old farmhouse or a creek hiding under an old stone bridge. Enjoying the breeze as we race along telling everyone he sees we are here and he's the boss. A goose watches as we pass and a black rooster scurries from the dusty road back to the safety of the farmyard and the friendly farm dog. Slowing the van, Henry looks over with the look of approval. A hickory tree's shade is the perfect spot to set up. Sharing the hickory's shade with a half dozen angus, Henry and I have an added element of country life - the rich aroma. We painted a scene down the road the Sunday before and I let the farmer know that Sunday I would be returning. I have found it best to ask permission to stop and paint when setting up too near a farmhouse or livestock. Rewards occasionally come our way when doing so. A slice of apple pie was Henry's reward once, he told all the dogs in the neighborhood about that treat. Usually a bowl of water and a Milkbone is his lunch on these outings.     

Laying out my usual palette of colors, I add one new color to study, and a brush I want to try out. One reason I go out painting is to learn. The "painting" is the byproduct of the experience. An old memory came up as I set up, Dad and Uncle Melvin stringing up a new fence. I was four and found myself surrounded by black angus sniffing me. I remember they all had wet dripping black noses. This time, a nice barbed wire fence keeps my new friends from my palette and painting. Sometimes, those interested in art, get a bit too close. Like a swarm of bees that seemed to like Paris Blue. They didn't bother me, just my painting and palette. A rat snake couldn't reach the painting but knocked over my Coke. Henry wanted him to stick around for a game of tag.

Using the blue in the sky, I added to it some of the wildflowers at my feet to tie my painting together.  A touch of red rose and white to add distance to the far off green trees worked. I will have to remember that when I am teaching an outdoor class.

Most times I do the learning when I teach. My teacher told me the same once. Henry, done exploring, is curled up under the easel dreaming. A monarch flutters about as I touch up the colors in the distance. Changing shadows tell me to pack in the painting and try sketching one of the angus. How to capture the rich aroma will be my next challenge. 



Quick Studies That Take Three Days...

Sitting in my studio I let the private me take over. The me that remains silent when with friends, talking art. Something about the pouring forth of an idea for one of my paintings has to stay silent, even with the models posing for a concept that grips me.

Someday, the model before me will be a mother, a thought that often comes to mind as I mix the perfect flesh tone to capture the warmth radiating from her. Just that momentary thought brings reasons for what I am putting on canvas, with great care in my work.  A ray of light weaves its way through the summer leaves of the tree that protects my studio window from the elements, tells me the day is ending. It settles in the open palm of my model's hand, almost panicking me into a rush to capture that small surprise gift of sunlight. Models see my desire just to capture that centimeter of light, and without my begging, grant me extra time to satisfy the desire.

These little surprise elements are treasures that make up my art. I take great care with how I handle them.   A model tickling a curled up puppy with her toes is unexpected, or pulling a pillow over her face to shade herself from the late afternoon sun. Concepts grow as my canvases take life. Even the landscapes have their surprise gifts, as a cloud drifts over the setting sun and cows take in an evening snack from a fresh hay bale. I accept all these gifts ,and that is what they are.

Speed is my enemy, and holding myself back, at times, is a strength I value. The quick studies that take three days are my secret, in that they grow well before reaching a canvas.